Audrey Hepburn Hollywood Actress Image In Nice Style With Her Information

Audrey Hepburn in War and Peace (1956)
And became one of the most popular box-office attraction in Hollywood, she succeeded her BAFTA and Golden Globe nominated role in the rest of the decade, including the (1956) time as Natasha Rostova in War and Peace went on to starring in the movie of the series, adaptation of the novel of Tolstoy, set during the Henry Fonda and her husband Mel Ferrer and the Napoleonic Wars. In 1957, she, free travel fascinated to Paris, the beautiful model became her debut musical film Fanny Face Fred Astaire, fashion photographer, I found a Beatnik Bookstore Clerk (1957) (Hepburn), her dance I showed the ability. The same year Hepburn together with Gary Cooper and Maurice Chevalier, in the afternoon, I was starring the love in another romantic comedy.

She, along with Peter Finch of co-star, in order to be successful as a nun, nun story (1959) with a focus on the struggle of the character, played a sister Luke. Role, the third Academy Award nominations are produced for Hepburn, was awarded her a two BAFTA awards. Various reviews, "Hepburn has a role of tough film of her most demanding, she offers her best performance. Read reviews movie, her performance is refined to forever you shut up people who are thinking about her little actress than a child woman of symbol. her portrayal of sister Luke, according to the report that states that it is one of the great performance of the screen. "she is convent, in order to bring the truth to her portrayal, spent time with members of the church: "I more time, given the energy, this also to one of my previous screen performance I thought. "


Film Green Mansions by Anthony Perkins and Hepburn (1959)
This is followed, she Venezuela of travelers and -The fall in love "ether" Lima, jungle girl, "with the grace and dignity" plays- of romantic adventure green mansion (1959) in the starring Anthony Perkins in "such tough and stubborn type of Burt Lancaster and Lillian Gish in the story of racial discrimination with respect to the subject she groups the half-hearted reception for, broken too is too sophisticated easy, Perkins is displayed as civilized bit ", and forced allowed (1960), her only western film, in playing native American.

Breakfast in the iconic role of Tiffany
Hepburn in Breakfast opening scene in Tiffany wearing iconic little black dress by Givenchy (1961) Three months in 1960 to her son, after the birth of Sean, Hepburn is Tiffany (1961), based on the novel of loosely Truman Capote, and began to work in Blake Edwards' Breakfast in film. Film is significantly has been changed from the original version. Capote, it approved a number of changes, Hepburn is Holly Golightly, quirky New York call girl, he depiction of Marilyn Monroe.Hepburn of Golightly is assumed to have been adapted from the original and was declared that it was "terribly miscast" as role: "I whore that can not be played back", she Marty Jurow, admitted to the co-producer of the film.

Sanitized, her in spite of the lack of sexual innuendo of the results of character, her depiction, is an iconic character in the nominations and American cinema in the Academy Award in 1961 for Best Actress was. In many cases, her definition role, the film was considered and refined Hepburn of high fashion style as an internal Holly Golightly and her pronouns. She, "jazziest of my career" is still that hospitalization role. "I introvert's but extroverted girl playing was that difficult I've done until now." Little black dress Hepburn is wearing at the beginning of the movie, and the history of the 20th century, perhaps of all time may be mentioned as one of the most iconic items of clothing in the most famous little black dress in the middle.


Shirley MacLaine and Hepburn in the trailer for The Children's Hour (1961) Shirley MacLaine and James Garner, The Children's Hour, which play on the other side of her next role in the drama on the theme of William Wyler lesbian (1961) is Hepburn and MacLaine, lesbian you have the life student I saw play the teacher to become as troubled after you blame them. To eventually of social mores, critical of both the film and Hepburn of performance, commercially, mostly went not mentioned. Bosley Crowther of The New York Times, the film while praised the "soft of Hepburn in Variety magazine, the" mute theme "of the" do not "act very well, except for the" Hepburn give the impression of being a sensitive and pure "and sensitivity express an opinion, beautifully MAR-velous projection and emotional understatement" Adding that there is a mutually complementary "Hepburn and MacLaine".